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Everything in 3D

Epic 3D Camera System Rental


Our exciting new Epic 3D rig is one of the first available for rental in the UK and is already proving to be the camera of choice for high-end stereoscopic 3D production.


Epic/Pulsar on Custom EasyRig

Shooting on Epic/Pulsar
As with all our 3D filming packages, the Epic package comes with an experienced rig technician and complete stereoscopic support before, during and after the shoot (if required for post supervision).

The Epic camera's small size, weight, high sensitivity, 5k high resolution and variable frame rates make this a breakthrough camera for stereoscopic 3D filming. The small size of the Epic body at heart of our system means the camera system is much smaller than previous high-end systems. This has many advantages including standard, rather than heavy weight grip equipment, greater manuouverability and much quicker setups, all leading to greater creative freedom.

Currently, the Epic camera supports 3D-sync'd frame-rates of up to 72/75 frames per second.

Our Unique Camera System
An effective, well-tuned 3D camera is much more than a pair of cameras on a rig. Our Epic system is built from components that are kept together as a complete system and draws upon our wide-ranging experience in 3D production. It includes a number of unique, custom-designed rig, camera and lens accessories that can make the difference between a productive day's filming and a 3D head-ache (on set or in post).

These include high-precision lens mounts and gearing, smart 3D monitoring solutions and lightweight balanced support systems. enabling, for example, the freedom of hand-held shooting in conjunction with the Easy-rig (as pictured above).

A Typcial Package:
2 x RED Epic-M
Matched Angenieux Optimo 16-42mm lenses (matched UltraPrimes also available)
Element Technica Pulsar 3D Rig
Arri 3-Axis LCS
3D Sync & Timecode Generator Unit for RED Epic
StereoBrain 3D Processor SB-1
Astro 8" On-board HD-SDI Monitor
Media (8 x 128Gbyte SSD Modules)
Red Epic SSD to e-Sata or Firewire Reader
RedMote wireless control unit and LR sync cables
24" JVC Passive 3D Monitor
Schmitt 3D Trigger
O'Connor 2575 Head and Legs
Customised extended EasyRig for hand-held operation
Optional quarter wave-plate filtering for reduced polarisation artifacts
Remote dual-camera trigger

Next Steps:
If you are interested in finding out more, than please contact us. We can then either discuss the options and provide a quotation for your project, or arrange a time to come in, meet the team, see the equipment and take a look at other projects we have shot on the high-speed camera systems (including Sony's Wimbledon promo and Epson's Man Utd promo).

One of our films for Pointy Stick, shot on our Red rig. The second shot on this piece was a highly choreographed and technically demanding move, involving moving camera, lighting, interaxial and convergence.

Hair Reborn (Anaglyph 3D) from Inition on Vimeo.

Related Downloads: 
Related News: 

Inition Launch Specialist 3D Production Company Pointy Stick, in Joint Venture

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3D production services and technology company Inition has joined forces with accomplished director and creative technologist Michael Lindsay to launch Pointy Stick, a new creative-first production company. Pointy Stick is designed to unleash the power of stereoscopic 3D production and help exploit this nascent medium to its full creative potential.

Related Case Studies: 

Filming Man Utd in 3D for Epson

Image(s): 
J S Park, a spectacular out-of-screen moment in 3D
4 players enjoy watching their team-mates on Epson's 3D projector
Moment of impact: Ball and Chris Smalling
Our 3D phantom camera setup
Patrice Evra shows off his skills in slow-motion 3D
Player's look on at their team-mate with 3D camera to the left
Epson's 3D home projectors
Our 3D phantom camera setup
Phantom setup on Man Utd shoot

Shooting Man Utd for Pointy Stick's Epson 3D Promo

Inition's sister company, Pointy Stick has created a stereoscopic 3D promotional film for Epson featuring some of Manchester United’s top stars. The 3 minute piece, conceived and executed entirely in stereoscopic 3D was created to help launch Epson's first range of home 3D projectors and celebrate their partnership with the world-famous club.

The film, directed by Pointy Stick’s Michael Lindsay and Gaute Hesthagen begins with the players in a black abstract space with intimate super slow-motion sequences portraying the drama at the heart of the battle between player, ball and gravity. The combination of shooting in stereoscopic 3D and at 1000 frames-per-second, both techniques that allow us to see more, reveals the underlying forces, decisions and skills at play in what are normally unseen fleeting moments of the game. The piece transitions into playful behind-the-scenes moments with the players on set, watching themselves and each other in slow-motion 3D, for the first time, using a 3D Epson projector in a living room set, shot in the same studio.

The Challenges
With such rare access to world-class players, the aspirations for the project were high but meticulous planning was required for such a technically demanding shoot given only three hours access to the players. The stereoscopic treatment was developed in detail with a 3D aesthetic to reward the viewer with a rich, intimate experience, rather than just a 3D-effect; by shooting against black, all the available depth is levereged by just player and ball creating heightened volume, texture and definition that brings to life every tensed muscle, ripple in fabric, droplet of sweat, impact of player and ball.

Michele Brown. Head of Advertising Creative at Epson said: "This beautifully shot 3D promo demonstrates the quality of the Epson 3D projector and the power of 3D as a visual medium". Michael Lindsay, Creative Director at Pointy Stick comment: "Our aim was to provide a taste of the athleticism and skills of the modern game of football in a medium that allows us to share their world. The piece was carefully crafted to create a powerful visual experience that fully exploits the mostly-untapped potential of stereoscopic 3D film-making."

The promo (in 2D):

 

Behind-the-scenes (filmed in 3D but shown here in 2D):

 

Epson's Range of 3D Projectors
The stereoscopic 3D promo is being shown at events around the world to show off Epson's first consumer 3D projectors. The Pro Cinema 6010 is aimed at high-end home cinema installations whereas the 5010 is aimed at the living room. Both projectors require active glasses and both include an HD wireless transmission unit.

Pointy Stick also delivered a TV commercial and shot a behind-the-scenes documentary footage directed by Chris Holt. Stereoscopic 3D production support and camera equipment was provided by Inition. Pointy Stick completed the edit in-house with final finishing completed at Onsight. 3 different 3D camera systems were used for the shoot including:

- Epic hand-held easy-rig (details)
- Phantom high-speed rig (details)
- Mini-cam documentary rig (details)

Credits

Directors: Michael Lindsay and Gaute Hesthagen
Stereo producer: Andy Millns
Line producer: Mark Parsons
DOP: Brendan McGinty

For more information please contact Alix Wood, Pointy Stick on 07989 068 416, alix@pointystickfilms.com

Future of 3D: #1 - Scan, Print, Explode!

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vimeo.com/26006116
vimeo.com/27430726
Our logo exploded!

For our first 'Future of 3D' project we decided to have some 3D fun with Shannon's head to celebrate our 10th Birthday and the launch of our 'Future of 3D' series.

This project combined a wide range of our skills and 3D technologies. But mainly we enjoyed it because it involved blowing stuff up! If you're interested in finding out more, make sure you watch the video above.

Some of the kit we used:  ZPrinter 450, Mephisto EX Scanner, Phantom/Quasar 3D Stereoscopic Filming Rig

We'd like to point out that no Shannons were harmed in this project, although strangely enough he had a slight headache afterwards. Check out our Future of 3D blog at fo3d.posterous.com for our latest experiments.



About our 'Future of 3D' series

The 'Future of 3D' series is about exploring the boundaries of future 3D technology through non-commercial creative projects. Supporting this type of work is core to Inition's core values of developing new uses of 3D technology, supporting creativity and nurturing the passion of it's staff and collaborators. If you have an idea for a 'Future of 3D' project, we'd love to hear from you.

3D Shoot: LG 'Rare Butterflies' Commercial

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Tim Key and his sidekick Lloyd Woolf in LG 'Rare Butterflies' 3D advert
Comedian Tim West waits for his take
SI-2K/Neutron camera system on set of LG 'Rare Butterflies' 3D advert
SI-2K/Neutron camera system on set of LG 'Rare Butterflies' 3D advert
SI-2K/Neutron camera system on set of LG 'Rare Butterflies' 3D advert
SI-2K rig on Techno crane?
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Scorpio Head on a Techno Crane

As part of LG’s multi million pound 3DTV advertising campaign, Inition worked with Framestore to shoot a 3D cinema advert which aims to show film-lovers how the 3D experience can be recreated in their living rooms. The campaign for media agency Mindshare was directed by The IT Crowd star Richard Ayoade. It features comedy duo Tim Key and his sidekick Lloyd Woolf who take viewers on a brief history of 3D through to the latest developments and what the future holds.

The Brief
Framestore required a versatile, mobile and high-quality stereoscopic 3D filming solution and the expertise to operate it on crane for their one-shot-wonder treatment.

The Solution
Inition specified the SI-2K mini system which offers a great compromise between size and quality. Combined with our matched UltraPrime lenses this offered a cost-effective and highly maneuverable solution on this technically demanding shoot. 3 Inition crew were on hand to build and run the rig (3D rig tech and assistant and stereographer).

Result
The advert is a tongue-in-cheek take on current formulaic 3D showreels and starts with Woolf dressed up as Godzilla destroying a cardboard city below him. The sequence then pans through other popular 3D viewing genres such as football and nature, before ending in a stage set front room with Key and Woolf on the sofa and the strap line "Bringing the magic of 3D home with LG".

Inition's Andy Millns was the stereographer on-set. Post-production at Framestore included adding VFX to the live action sequence which was on-lined by respected VFX artist and post-production consultant David Cox.

"I was very happy with the material from the shoot, the optical line up between the cameras was very good and the colour matching was as close as I've seen." David Cox, VFX/Mistika consultant.

The cinema advert marks LG's first foray onto the silver screen and will be shown alongside screenings of 3D movies Tron: Legacy and the new Chronicles of Narnia film, starting on December 10th.

**UPDATE** LG were so happy with FrameStore's ad that they commissioned a second-part. Framestore came back to Inition who provided the same team and kit for the second shoot which went as flawlessy as the first.

You can watch the advert here (in 2D only) or pay us a visit to see in 3D!

Live 3D Transmissions : Six Nations Rugby Live in 3D for O2

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Three England Rugby players enjoy some 3D in Inition's screening room.
Inition side-by-side rig
Sample of national press coverage about the Six Nations 3D broadcast
http://www.youtube.com/watch?v=7pKpVnFjvX4&feature=player_embedded#at=43
The control room
Inition Co-Founder Andy Millns in the gallery

Six Nations Live to 40 Cinemas

40 cinemas across the country screened England’s home RBS Six Nations games live in 3-D. Archibald Ingall Stretton commissioned 3D specialists Inition to produce the matches which became the largest ever UK sports event to be broadcast live in 3D. Forty Odeon and Cineworld cinemas screened the matches, beginning with England’s official centenary game, against Wales on February 6, as part of a deal with O2, the England sponsor. The match against Ireland on February 27 was also screened live in 3-D.

3D Technology

Using the latest 3D camera technology, the matches were captured from seven camera positions providing a comprehensive view of the game which included replays, match statistics and on-screen graphics. Inition worked with outside broadcast experts SIS Live and used 3D 'Quasar' rigs from Element Technica for the shoot. Broadcast graphics specialists Wurmsers creating bespoke stereoscopic graphics for the game.

Production Team

The BBC is the UK TV rights holder for the 6 Nations – played between England, Scotland, Wales, Ireland, France and Italy – and assisted Inition in the broadcast. Inition has worked on a number of 3D productions from football and ice hockey to track and music events. Inition were also the 3D experts behind the 3D transmissions of England’s clash with Scotland at Murrayfield, in 2008, as part of a 3D test for the BBC.

Read TVB Europe's inside story on the project here

Read about the GOLD award we received for this project as winners of the Internationalist Awards for Innovation in Media here