Our exciting new Epic 3D rig is one of the first available for rental in the UK and is already proving to be the camera of choice for high-end stereoscopic 3D production.





Shooting on Epic/Pulsar
As with all our 3D filming packages, the Epic package comes with an experienced rig technician and complete stereoscopic support before, during and after the shoot (if required for post supervision).
The Epic camera's small size, weight, high sensitivity, 5k high resolution and variable frame rates make this a breakthrough camera for stereoscopic 3D filming. The small size of the Epic body at heart of our system means the camera system is much smaller than previous high-end systems. This has many advantages including standard, rather than heavy weight grip equipment, greater manuouverability and much quicker setups, all leading to greater creative freedom.
Currently, the Epic camera supports 3D-sync'd frame-rates of up to 72/75 frames per second.
Our Unique Camera System
An effective, well-tuned 3D camera is much more than a pair of cameras on a rig. Our Epic system is built from components that are kept together as a complete system and draws upon our wide-ranging experience in 3D production. It includes a number of unique, custom-designed rig, camera and lens accessories that can make the difference between a productive day's filming and a 3D head-ache (on set or in post).
These include high-precision lens mounts and gearing, smart 3D monitoring solutions and lightweight balanced support systems. enabling, for example, the freedom of hand-held shooting in conjunction with the Easy-rig (as pictured above).
A Typcial Package:
2 x RED Epic-M
Matched Angenieux Optimo 16-42mm lenses (matched UltraPrimes also available)
Element Technica Pulsar 3D Rig
Arri 3-Axis LCS
3D Sync & Timecode Generator Unit for RED Epic
StereoBrain 3D Processor SB-1
Astro 8" On-board HD-SDI Monitor
Media (8 x 128Gbyte SSD Modules)
Red Epic SSD to e-Sata or Firewire Reader
RedMote wireless control unit and LR sync cables
24" JVC Passive 3D Monitor
Schmitt 3D Trigger
O'Connor 2575 Head and Legs
Customised extended EasyRig for hand-held operation
Optional quarter wave-plate filtering for reduced polarisation artifacts
Remote dual-camera trigger
Next Steps:
If you are interested in finding out more, than please contact us. We can then either discuss the options and provide a quotation for your project, or arrange a time to come in, meet the team, see the equipment and take a look at other projects we have shot on the high-speed camera systems (including Sony's Wimbledon promo and Epson's Man Utd promo).
One of our films for Pointy Stick, shot on our Red rig. The second shot on this piece was a highly choreographed and technically demanding move, involving moving camera, lighting, interaxial and convergence.
Hair Reborn (Anaglyph 3D) from Inition on Vimeo.

































































