Newsletter signup

Your Enquiry

Inition

Everything in 3D

Inition’s 3D Dragon versus The Stig at Top Gear Live

Gatso Dragon
Background:

Following the success and popularity of 3D (deployed by Inition) at MPH 05 and 06, MPH’07 producer Rowland French approached Inition for a new 3D extravaganza: ‘The GATSO Dragon’. MPH (now Top Gear Live) is a unique concept including a live theatrical car show, hosted by Jeremy Clarkson, Richard Hammond and James May.

Inition were briefed to produce a spectacular in-your-face 3D short film to be choreographed with on-stage action of The Stig (the mystery test driver) doing battle with the 3D Dragon. The various stages of the project are documented below.

Concept.

"The year is 2050, and the Government has gone mad. A small resistance of petrol heads do their best to fight Baby Blair’s army wherever they can. Leader of the resistance is The Stig; top of the Government's Most Wanted, he roams like a road warrior battling traffic wardens and mobile speed cameras where he can. In response to his success, the Government has designed a new type of mobile speed camera – something more frightening and devious than anything seen before: GATSO Dragon".

Inition’s concept artists got to work for various treatments of the GATSO Dragon developing ideas and direction:

The Show.

Inition provided a 3DVidBoxHD playback server, high-transmission polarising filters, a 40-feet-wide silver screen and over 100,000 pairs of 3D glasses for the show. Inition technicians supervised the 3D installation at the show and operated the playback for all 20 shows (to date). The 3D sequence ran flawlessly in every show.

We asked the client for some feedback on the MPH project and a quote for the story….

"Inition are fucking brilliant; if you want the best 3D in the UK, you'd be mad to use anyone else", said Rowland French, Producer of MPH 07.

Rowland went on to say: "Often the greatest working disappointments as a producer are when the reality of something bears little or no relation to what you had in your head. It's easy to design giant fighting koala bears in your mind, but who is going to make them?

"The same sense of foreboding haunted me when I came up with the idea of making a giant 3D dragon to fight The Stig, live in the MPH arena. Not complex enough already, the dragon had to be from the future, with armaments to deploy in the scrap, armour to be blown off - and most importantly had to have enough character in its face and movement to almost be a 'fourth presenter'.

"Inition were as excited as me about the idea, and organised plenty of artist meetings where we could discuss the dragons look. Once they had my barmy outline, they then started supplying their own drawings, and slowly the dragon in my head came to life on paper. Their seemingly limitless patience was never tested by my constant 'eyes need to be further apart' and 'the wings should beat slower' redesigns.

"When I finally sat down in their subterranean lair in East London, and watched the exact dragon from the middle of my head bob and flap in 3D in front of me, I was speechless. The dragon was all I could have hoped for, its movements were totally animalistic, its look perfectly well-worn futuristic. Jump to the first performance in Earls Court and The Stig tears around evading rockets and razor edged parking tickets, the audience ducking the stereo moments and jumping as the rockets cue with huge pyrotechnics on the floor. Inition had graced me with a beautiful baby dragon, and I was as proud a father as you could imagine."

Related News: 

Inition Brings Mass Interaction to the Gadget Show Live

Feature Image: 
Jason Bradbury in LILA Cube
Gadget Show Live
Every camera flash is registered to count as a vote
Three webcams capture every camera flash made by the audience
By swaying their arms, the audience can influence the direction of the drone
Body: 
Inition has successfully contributed half of the software and technology to allow the audience of the UK’s biggest consumer electronics show to interact with the Gadget Show presenters on stage.

UK's First Mobile 3D Cinema Gives RSPB Wings!

Feature Image: 
A frame of the film
A frame of the film
The mobile cinema in Cardiff
The mobile cinema in Cardiff
Body: 
3D industry leaders Inition have created the UK's first mobile, 3D cinematic campaign for the RSPB. This groundbreaking project will tour the country for the next three years, allowing viewers to experience life through the senses of a bird of prey, surfing air currents and slicing through thermals with added stereoscopic thrust.
Related Case Studies: 

Cadbury Zingolo 2D to 3D

Image(s): 
Working with Drum PHD and Fallon, Inition helped create Cadbury’s first ever 3D ad. The high profile ad spot screened prior to James Cameron’s 3D epic ‘Avatar’ in over 200 3D cinema screens nationwide.

Using Cadbury Dairy Milk’s recent ‘Zingalo’ ad, which celebrates the chocolate brand’s fair trade credentials, Inition converted the footage into a fabulous 3D Stereoscopic version.

The process of converting the existing 2D film into 3D was turned around in record time. The Zingolo ad lent itself well to 3D conversion because it features a head emerging from a garage and in 3D it appears actually to float right in front of the cinema audience creating a very impressive cinema experience.

BREAKING NEWS

Cadbury Dairy Milk’s ‘Zingalo’ advert has won the 3D Cinema Advertising Award at this year’s British Television Advertising Awards. The advert, which celebrates the brand’s fair trade credentials, featured a buoyant head which appeared to actually float in front of the cinema audience creating a very dramatic viewing experience.

The Award recognises the best TV & cinema commercials made by British advertising agencies and production companies. Working with Drum PHD and Fallon, Inition converted the footage into a fabulous 3D Stereoscopic version which screened prior to James Cameron’s 3D epic Avatar in over 200 cinemas nationwide.

Gadget Show Live

Image(s): 
vimeo.com/33340718

The producers of the UK’s largest consumer electronics show – The Gadget Show Live, worked closely with Inition to develop ideas and technical solutions to engage the show’s audience in groundbreaking, fun and genuinely new ways.

Inition operates a busy R&D department which always sets out to go beyond the standard brief and for The Gadget Show Live, we developed bespoke software and technical solutions to achieve just that. We developed a unique vote capture system, a mass interactive game and a motion capture showpiece.

Flash Camera Voting

In a signature Gadget Show challenge, two of the presenters went head to head to win over the audience with a singing performance. Rather than asking people to vote for their favourite performer via SMS, Inition created a voting system that could register an individual’s preference via a flash from their camera phone.

Within two seconds, a camera rig on the stage captured each flash of light/vote which was processed by proprietary software developed by Inition Creative Production (? - IS THAT RIGHT). The system was able to register and count each vote and present the results graphically on large LED screens within 15 seconds.

Robust and highly accurate, our reliable system could even detect (and disregard) multiple votes from a single individual up to 80 metres away. It is highly scalable too. With more cameras, we could even increase the field of view of the rig up to 360 degrees and register the votes of tens of thousands of audience members up to 150 metres away and beyond.

Mass Drone Gaming

For the mass drone gaming section, a divided audience competed with the other half in a challenge to steer a mini drone towards a circle on a large LED screen using the motion of their arms and pitch of their voices. The winning team would be the one best able to co-ordinate their arm movements and voices as detected by the Inition sensors. Three standard 720p USB webcams were housed in a single rig angled in multiple directions. Rewritten drivers and settings would achieve the desired framerates. Inition’s own software, based on proprietary and various open source libraries, could accurately translate the motion of people's gesticulations to guide the flying drone towards a target. Further software was able to detect the pitch of vocal noises from the installed microphones - the higher the pitch, the higher the drone would fly.

A Virtual Strip

To get Suzi's avatar to do the strip, Jason entered the marker-less LILA system which is portable enough to be easily rigged up on stage. Jason mimed the start of the strip up until a key moment when an Inition developed animation of a Suzi Perry avatar stripping to a bare wireframe model seamlessy blended into Jason's real time avatar motion.

Conclusion

The Gadget Show Live event was regarded as a huge success receiving  exceptional feedback from the audience, producers and even the presenters themselves. The system we used for the Gadget Show Live is part of our growing collection of mass audience interaction software called 'TAP' which features audience movement detection and sound processing for control, driving games with coloured steering wheels and quizzes.

Inition will be running a 'TAP' quiz event in Rome at the end of august which will use coloured voting cards and we are currently in talks with largescale live event organisers which will run up to the end of the year.

Keane 3D Live: A Milestone in 3D Broadcasting

Image(s): 
The Keane band members show off their 3D anaglyph glasses
Keane rehearse in Abbey Road Studio One
vimeo.com/26285772
Anaglyph stereo pre-viz and ...
Panaromic view of Abbey Road Studio One
P+S Mirror rig Ped with remote follow-focus
The Gallery
Keane 3D rehearsals in Shoreditch Studios with mock set

The live 3D transmission of a performance by Keane at Abbey Road Studios to a domestic 3D television marked a major milestone in the history of 3D broadcasting and pioneered many of the 3D transmission techniques to follow.

Inition conceived the idea in 2008 and was the primary technical partner behind the project which was backed by BSkyB, Island Records and Nineteen Fifteen Productions.

Keane 3D was broadcast simultaneously to three very different mediums – The Vue’s flagship Leicester Square RealD cinema; a dedicated website where Keane fans could watch the performance in anaglyph (red/cyan) mode and over the BSkyB transmission infrastructure becoming the first ever live 3D transmission on their network.

Sky Transmission

The Keane broadcast was the first ever 3D transmission to be broadcast over the BSkyB transmission infrastructure to a domestic display. The 3D feed was transmitted as a side-by-side frame compatible signal over a high definition satellite transponder using SENSIO encoding which was linked to two Hyundai 46 inch high definition 3D TV screens. A VIP audience in Abbey Road's world-famous Studio 2 were able to watch the full live Sky transmission nearby.

3D Webcast

A separate 3D webcast was streamed over the Internet in anaglyph (red/cyan) mode. This was the world’s first ever live webcast in 3D which Keane fans around the globe could watch in 3D by wearing a pair of anaglyph glasses. The webcast later went on to become nominated for The Innovation Award at the UK Music Video Awards 2009.

Vue Cinema Showing

A live broadcast via a satellite uplink to the 3D-enabled Vue cinema in Leicester Square, using SENSIO's 3D Cinema Encoder.

The Set Up

Inition supplied five 3D rigs for the historic event – three mirror/beamsplitter rigs and two side-by-side rigs (I thought there was a Toshiba MiniCam set up?) (one SteadiCam and one PoleCam). Each left and right camera recorded the Keane 3D broadcast in full HD for archiving purposes.

On set was a Jib cam, PoleCam, a dolly, a 45 degree angle shot and a wide angle shot. The Inition crew monitored the live and preview feeds via several StereoBrain Processors which can output a left and right signal in a variety of 3D modes.

As access to Abbey Road Studios were very limited, Inition’s production team pre-planned every single shot using stereo pre-viz animations. This allowed the team to determine the best focal lengths, rig positions and stereoscopic effects weeks in advance.

All the planning paid off and each individual transmission was a technical and creative success which was later praised by the national media.

Watch an interview with the band about their 3D performance here

Click here to read an article about the event in TVB Europe Magazine

LG 3D: Europe's Largest 3D Glasses-Free In-Store Promo

Image(s): 
VFX shot
vimeo.com/24264635
The Point-of-Sale 3D display
vimeo.com/27619450
Camera crew, talent and director
POS graphic
Nuke in action
From 2 views to 8... early test shoot

Brief:
LG approached us to produce a 3D promo to showcase their new 3D smartphone’s multimedia capabilities in a way that would grab attention via LG branded in-store point-of-sale 3D displays.

Solution:
Inition a creative based around a 24" glasses-free 3D display and the concepts of shooting, sharing and gaming in 3D. The treatment involved parkour and acrobatic skills to demonstrate the filming capabilities of the screen in an eye-catching way. 3D graphics were developed for pop-out moments detailing the unique specifications of the phone. The production was completed entirely in-house thanks to our specialist 3D filming and post production teams. Inition also supplied 200 top-spec glasses free 'Alioscopy' displays for installation in mobile retailer outlets across Europe.

Production challanges:
Inition’s production team shot the three-minute sequence with our stereoscopic Red-based 3D camera system. The Red cameras recorded the stunts at 100 frames per second, allowing the post production team to include slow motion sequences and time-manipulated Matrix-style moves.

Traditional stereoscopic films require left and a right viewpoints but as this film was to be displayed on glasses free lenticular screens, 8 unique viewpoints were required due to the way these displays work.

Filming with 8 individual cameras wasn't practical (!) so Inition’s developed a novel workflow using a combination of high-end post production tools such as Nuke, Ocula, SpeedGrade and 3D Studio Max. The end result was a film that featured 8 virtual viewpoints as if it were shot with 8 unique cameras. Inition were delighted to work on the project which drew on our full range of 3D expertise from technical consultancy and hardware supply, to live-action stereoscopic production, CGI and post.

 

Live 3D Transmissions : Six Nations Rugby Live in 3D for O2

Image(s): 
Three England Rugby players enjoy some 3D in Inition's screening room.
Inition side-by-side rig
Sample of national press coverage about the Six Nations 3D broadcast
http://www.youtube.com/watch?v=7pKpVnFjvX4&feature=player_embedded#at=43
The control room
Inition Co-Founder Andy Millns in the gallery

Six Nations Live to 40 Cinemas

40 cinemas across the country screened England’s home RBS Six Nations games live in 3-D. Archibald Ingall Stretton commissioned 3D specialists Inition to produce the matches which became the largest ever UK sports event to be broadcast live in 3D. Forty Odeon and Cineworld cinemas screened the matches, beginning with England’s official centenary game, against Wales on February 6, as part of a deal with O2, the England sponsor. The match against Ireland on February 27 was also screened live in 3-D.

3D Technology

Using the latest 3D camera technology, the matches were captured from seven camera positions providing a comprehensive view of the game which included replays, match statistics and on-screen graphics. Inition worked with outside broadcast experts SIS Live and used 3D 'Quasar' rigs from Element Technica for the shoot. Broadcast graphics specialists Wurmsers creating bespoke stereoscopic graphics for the game.

Production Team

The BBC is the UK TV rights holder for the 6 Nations – played between England, Scotland, Wales, Ireland, France and Italy – and assisted Inition in the broadcast. Inition has worked on a number of 3D productions from football and ice hockey to track and music events. Inition were also the 3D experts behind the 3D transmissions of England’s clash with Scotland at Murrayfield, in 2008, as part of a 3D test for the BBC.

Read TVB Europe's inside story on the project here

Read about the GOLD award we received for this project as winners of the Internationalist Awards for Innovation in Media here

 

Remote Avatar: Gadget Show Virtual Pesenter Challenge

Image(s): 
Suzi Perry and her wireframe model
Otis Deley between android Jason Bradbury and avatar Suzi Perry
Suzi Perry teaches the LILA voice recognition system how she speaks
vimeo.com/21970062
Suzi Perry avatar in The Gadget Show studio
Suzi Perry meets motion capture expert Jeff Ferguson and
Avatar of Suzi Perry being built using Organic Motion
Suizi Perry's silhouette captured from 14 different cameras in the LILA system
The three core stages of the LILA marker-less motion capture system
Suggested uses for the marker-less motion capture system LILA

When the producers of North One Television approached 3D creative services company Inition to provide the technical expertise for an ambitious 'virtual presenter' challenge, LILA was an obvious solution.

LILA is a portable motion capture solution which was used to capture the motion of The Gadget Show presenter Suzi Perry in London and transmit that captured data to drive an avatar of Suzi who was composited in The Gadget Show studios, all in real time.

Marker-less Motion Capture

Based on real-time 3D animation software Autodesk MotionBuilder, LILA is Inition’s marker-less motion capture solution which can provide show stopping interactive installations for brands, exhibitions, tours and marketing agencies.

Without any calibration required, Suzi stepped into the holo-deck style cube at Inition’s London studios where her silhouette was tracked by 14 x 2D cameras. No markers or special clothing were required. The vision processor software calculated a 3D mesh of her body from these views of which a digital skeleton was applied using the Organic Motion plugin.

The frame-by-frame motion co-ordinates from the data was then transmitted to the MotionBuilder system at North One Television studios in Birmingham via a special driver which then applied Suzi Perry’s features such as clothes, hair, skin tones etc in real time. The avatar of Suzi which was composited into the studios of The Gadget Show next to the real co-presenter Otis and an android version of Jason Bradbury who she was competing with.

Suzi’s avatar character included full face expressions and mouth shapes driven by Suzi's voice fed through LILA's voice recognition software.

The composited footage was sent back to Inition’s London studios via Skype which Suzi could monitor on a screen seeing exactly what the public would see.

A World First

This project posed several challenges, not least because of the processing power required to deliver the avatar in real time. This was the first time a motion capture system had been used to drive another avatar over the Internet.

The LILA motion capture is a complete attention grabbing solution which is available for events, promotions and exhibitions. As well as hire of the LILA system itself, Inition also provide a complete production service with the hardware, software, and creative design of the characters, environments and interactions.